The image of Venus here does not need literal quotations from antiquity. It appears in a soft shoulder line, in a lacy pattern that resembles a relief, and in a calm combination of openness and form. Venus speaks about female strength quietly, leaving the main role to the cut. The antique motif becomes not a costume, but a way to balance softness and determination.<\/p>\n\n
Lace<\/a> covers most models, while satin and mikado create smoother planes. It is especially noticeable in the decor embroidery<\/a>: it changes the density of the surface and adds relief to it. A-silhouettes<\/a> open from the waist, sheaths are kept closer to the figure, ball skirts add width. Three mini dresses<\/a> and slits break the expected solemnity with a shorter, bolder gesture. In most models, the back is open or low, so the completion of the silhouette becomes noticeable not only from the front. Detachable skirts, capes and sleeves change the proportions only in some of the images, without turning the transformation into a mandatory rule.<\/p>\n\n