Margaret

When fitting Margaret, it is worth starting with the silhouette: an A-line with a ball gown volume immediately shows how the model holds its shape and movement. In the upper part, it is worth showing the neckline separately: a high neckline and an illusion line, the sleeve line: long sleeves. Next, it is important to show the profile and the back: the waistline: a peplum line, the back: a closed back. The materials Chantilly lace and lace should be presented as a combination of textures: each in its own way works on the shape, pattern or movement. Among the details, the corset bodice, pearls and the cut are noticeable; it is important to show where exactly they work on the body. The final movement is set by the chapel train, so it is important to evaluate the model from the back as well. Then the client sees a holistic image: how the fit, texture and details work together in movement.