Wedding dresses made of tulle

The volume of the tulle is not born from one dense plane, but from the layers between which light passes. During the step, they move with different amplitudes, so the skirt does not look stationary even in a simple cut. The general contour can be read in full height, and the close-up photo shows the transparency of the overlays, the edge of the mesh and the decor on its surface.

Unlike mikado, which outlines the form with a dense smooth plane, the tulle builds it by repeating thinner layers. IN A-silhouettes the layers repeat and soften the smooth expansion of the skirt, u ball gown give space for a larger volume. In a mermaid or sheath, the fabric works more locally: for example, appearing below the flare line or as a top sheer layer. It is the location of the tulle, and not its name, that determines the character of the form.

The tulle can remain a pure background or carry a floral motif, beads and embroidery. On a transparent base, the spaces between the elements become part of the pattern, and the decor seems to be separated from the lower layer. If the trim is heavy on the bodice and tapers down, see if the transition looks intentional. For a model with an expressive silhouette of a mermaid separately appreciate how the decor meets the beginning of the flare.

When choosing, do not limit yourself to a fixed perspective in front of the mirror. Walk around, come back, take a short video and look at the skirt against the light and against a darker background. So you can see the number of layers, the movement of the hem, and how clearly the silhouette is read under the transparent planes. Also compare the width and transparency of the hem. At a fitting in Lviv, compare models with different volumes of tulle in the same movement — this will more accurately show the difference between airy softness and expressive shape.