Wedding dresses-sheaths

In the case, there is no sharp change between the bodice and the skirt: the gaze slides along one vertical line from the shoulders to the hem. Because of this, the silhouette visually adds height and works particularly expressively on a short or slim figure. At the same time, it faithfully repeats the natural line of the body, so it is important to evaluate not only the front, but also the profile and the view from the back during the fitting.

Next to straight silhouette the case reads softer and closer to the figure; unlike mermaids, it does not end with contrast flare. It is this restrained frankness that is appropriate for a mural, a city ceremony, a private restaurant or the second part of a wedding. A narrow skirt takes up little space, but the freedom of movement is determined by the specific cut: cut changes both the movement and how open the image will be.

The texture here is more noticeable, because it does not get lost in the folds. The lace draws the outline with a pattern, and sateen shows long smooth planes and a soft luster. The neckline also changes the proportion: the V-shaped continues the vertical, the high neck brings attention to the face, the open shoulders create a wider upper line. In the catalog, this form is found both among wedding and among evening dresses, therefore the mood depends on the fabric and decoration no less than on the cut itself. For photos in motion, it is important how the material reacts to a step: a smooth canvas emphasizes vertical continuity, and textured lace makes the outline more complex and softer.

Before your visit, check the size grid, and during the fitting, take a few wide steps and sit down. The case should be chosen when its pure vertical is close and you do not want to hide the hip line with additional volume.