Ondine

When trying on Ondine, it is worth starting with the silhouette: A-line with ball gown volume immediately shows how the model holds shape and movement. In the upper part, it is worth showing the neckline separately: sweetheart line, sleeve line: sleeveless. Next, it is important to show the profile and back: waist fit: peplum line, back: U-back. Mikado and lace materials should be presented as a combination of textures: each in its own way works on shape, pattern or movement. Among the details, the corset bodice is noticeable; it is important to show where exactly they work on the body. The final movement is set by the chapel train, so it is important to evaluate the model from the back as well. Then the client sees a holistic image: how the fit, texture and details work together in movement.