Edem

Edem keeps the wedding image on the contrast of the open back and the long cathedral train. Ball gowns and A-line silhouettes lift the volume from the natural waist, while V-necks and round necklines change the top line.

8 model

Ahead — V-shaped or rounded neckline, open back at the back. Edem builds eight wedding looks on this transition between a restrained frontal perspective and an expressive twist. The open back is repeated in seven models and becomes the main accent at the back. Straps leave the shoulder line visible, and in one model, long sleeves cover the arms almost completely. The palette is focused on ivory and light ivory; the difference between the images is created by the cut-outs and the width of the skirt. Color recedes into the background.

The main volume is concentrated in ball gowns; there are six of them, two more models have an A-silhouette. All skirts start at the natural waist and reach the floor, most continue with a cathedral train. In half of the images corset bodice draws a clearer top line.

Edem is remembered for its proportions: the openness of the back, the width of the skirt and the length of the train form an image that unfolds during the walk. On copies of CRYSTAL in Lviv you can see how they change in motion; orders are delivered across Ukraine.