Charleen

When trying on Charleen, it is worth starting with the silhouette: the sheath silhouette immediately shows how the model holds shape and movement. In the upper part, it is worth showing the neckline separately: sweetheart-line without straps, sleeve line: long sleeves. Next, it is important to show the profile and back: waist fit: asymmetrical line, back: low back cut. Chantilly lace, mikado and lace materials should be presented as a combination of textures: each in its own way works on shape, pattern or movement. Among the details, beads, corset bodice and floral pattern are noticeable; it is important to show where exactly they work on the body. The final movement is set by the chapel train, so it is important to evaluate the model from the back. Then the client sees a holistic image: how the fit, texture and details work together in movement.