Wedding and evening dresses with a removable top skirt
A removable top skirt is a separate layer on top of the main one that changes the volume or contour of the dress. The card must confirm completeness. Check fastenings around the waist, center, sides and back, length of both layers, cut and train, and removal, storage and reattachment.
148 model
To orderAtelier Heritage Edition
Overture
227 995,00 ₴
To orderAtelier Heritage Edition
Renoar
311 155,00 ₴
To orderAtelier Heritage Edition
Nolen
243 585,00 ₴
To orderAtelier Heritage Edition
Erve
192 355,00 ₴
To orderAtelier Heritage Edition
Darren
232 450,00 ₴
To orderAtelier Heritage Edition
Beamount
291 105,00 ₴
To orderAtelier Heritage Edition
Million
186 415,00 ₴
To orderLess is More VI
Ferran
83 205,00 ₴
To orderLess is More VI
Appolo
61 425,00 ₴
To orderLess is More VI
Seraphine
104 985,00 ₴
To orderLess is More VI
Archi
85 185,00 ₴
To orderLess is More VI
Solene
170 325,00 ₴
To orderLess is More VI
Sanremo
88 155,00 ₴
To orderLess is More VI
Helios
96 570,00 ₴
To orderMaison Blanche
Code
149 535,00 ₴
To orderMaison Blanche
Amarant
137 655,00 ₴
The waistline here is not only part of the cut, but also the place where the extra layer begins. The removable upper skirt is superimposed on top of the main skirt and can change the volume, length or outer contour after joining. However, the attribute does not confirm that the part is included in the set, is easily removable or forms two independent images - this is determined by the model card.
The two outlines must be read separately
A regular multi-layered skirt has several connected layers, but does not involve disconnecting them. The train continues the hem at the back, while the upper skirt lies on top of the main skirt in a wider area. It belongs to specific decisions in the group transformed design, but its mechanism and composition should not be transferred to other models.
Look for fasteners around waist line: check the center front, both sides and the back, not just the clasp. See if the belt or attachment points are visible and how they blend into the decor. Compare the length of the main and upper skirts; on tulle edges may move unevenly. If there is cut, see if the top layer opens it, overlaps it, or has its own opening.
Walk, come back and sit with the part attached, then repeat without it. Ask to be shown the sequence of removal, identify a place for storage, and return the skirt to the waist yourself. After re-attachment, check the symmetry, length and back contour with the train. On samples in CRYSTAL such a rehearsal will show the actual mechanism without promises of an invisible belt, quick removal or automatically two looks.











